Early development work, searching for a shared language through exploration of gradually longer attacks and timbral play.

Rehearsing transitional section in No. 1

Late-stage practice of interplay of pizzicato sections in No. 2

Discussion of the orientation of No. 2's sound materials across The Floors demonstrating the terminology of our working process. The rhombus refers to one of The Floors, while 'the wheelbarrow' became an informal descriptor for one of the drone-like cello samples employed.

Late-stage development and rehearsal on the middle section of No. 2

Rehearsing opening section of No. 3